[Commons-Law] The Protection of Formats vide .... Copyright ?
Mathew M. Chacko
cha_mathyoo at hotmail.com
Tue Jul 22 21:07:58 IST 2003
All,
Has anybody read .... Survivor v. Im A Celebrity Get Me Out of Here ???
Would any one know of an argument that the law of copyright extends too long
a period of protection for as elusive an "asset" as a format (+ the public
interest in reduced protection period for ideas) and therefore that it
should be protected (assuming it should be protected) by some other regime
... A law of ideas ?? Has such an argument been advanced ..anywhere ?
Articles/ Cases etc ?
Mathew
Formats for success
Saturday April 5, 2003
The Guardian
Alex Wade's article (Hey, that's my idea Tuesday, April 1st) detailed the
gloomy outlook for television format copyright protection in international
law courts. But there is hope. Frapa (Format Recognition and Protection
Association) is agitating to have the trade protected under more inclusive
copyright laws. In Germany, the North Rhine Westphalian government is
leading a push to introduce formal definitions of television formats to the
local copyright law. There is a realisation in the US that the business of
television formats is growing and needs protecting, just as a decade ago the
burgeoning computer software industry needed its intellectual property
protected. In the recent US case of Survivor vs I'm A Celebrity Get Me Out
of Here, the concept of legal protection for formats under copyright law was
acknowledged, even if infringement was not proven in that instance. In that
judgment some important precedents were introduced, such as the introduction
of an overall "look and feel" test of a show's format, as well as defining a
particular format by its individual elements. That case restated an
important principle of US protection, "even where a television show is made
up of entirely stock devices, an original ... organisation ... of such
devices can nevertheless be protected, just as it is the original
combination of words or notes that leads to a protectable book or song".
However, changes in the law are slow and in the meantime Frapa offers
mediation. Even fiercely warring individuals see the wisdom of mediation
when the alternative is the slow, expensive, unsure legal system. To date,
Frapa has had outcomes satisfying to both parties in all but one of its
mediations. The format industry needs certainty, so while the law drags its
feet Frapa provides fast, reliable solutions.
David Lyle
Frapa, Cologne
======
'And they both looked the same.'
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