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Contested Commons / Trespassing Publics: A Public Record
Tags: anand vivek taneja, anarchy, apnaopus, appropriators, armin medosch, authors, authorship, avinash kumar, bjorn wijers, brian larkin, commons, contested commons, cori hayden, culture, danny butt, daya shankar, denis rojo, disembodied signs, doron ben-atar, dorothy kidd, dyne:bolic, free media lounge, global village health manual, hou hanru, intellectual piracy, intellectual property, jane anderson, jane gaines, jaromil, jeebesh bagchi, john frow, k.m. gopakumar, kingdom of piracy, laikwan pang, lawrence liang, lenita cunha e silva, martha woodmansee, mckenzie wark, media, media empires, media practice, moinak biswas, narendra pachkhede, naveeda khan, network, network conflicts, new world order, nick dyer-witheford, nitin govil, oligarchy, open content, owners, patents, pater jaszi, peter linebaugh, philippe cullet, pirate, possession, prabhu mohapatra, property regimes, public, public domain, public health, publics, raqs media collective, ravi sundaram, ravi vasudevan, rosemary coombe, rupali gupte, Sarai Media Lab, sharon daniel, shu lea cheang, shuddhabrata sengupta, shujen wang, sibaji bandyopadhyay, signs, silvan zurbruegg, siva vaidhyanathan, smriti vohra, solomon benjamin, sophea lerner, spatial conflicts, sudhir krishnaswamy, swapan chakravorty, tactical city, tenali rama, the network of no_des, trespassing publics, victoria donkersloot, yukiko shikata