[Urbanstudy] shirish posting lbt bhopal 5

[shirish khare]

Thursday, April 13, 2006    shirish posting lbt 5       
The Little Ballet Troupe-Bhopal.

Dance in India is a rhythm. Eyes, faces, hands and feet move to varying moods, reflecting an idiom of the perfection of an ancient art.  Thursday, April 13, 2006    shirish posting lbt 5       
The Little Ballet Troupe-Bhopal.

Dance in India is a rhythm. Eyes, faces, hands and feet move to varying moods, reflecting an idiom of the perfection of an ancient art.

India is the home of Bharatanatyam, once performed in temples by devdasis, and of Kathak, a testimony to the court of Lucknow and the pleasure-loving nawabs. Come watch the great care taken to express love and its manifold manifestations in the gestures of a Manipuri dancer. From Odissi to Kuchipudi to ballet and numerous folk dances, the Indian dance sequence weavers an intricate rhythm that is the philosophy of dance. In temples or in courts, from backyards to the great auditoria, Indian dance reflects an magnificent heritage, individually perfected by each dancer.

The major percussion instrument is the tabla, pakhawaj or mridangam played to an intricate beat by the artist's fingers. Other major instruments are the sitar and veena, stringed instruments, the harmonium, a keyboard instrument, and the tanpura - a stringed instrument used as a drone, the shehnai and nadaswaram are wind instruments used at weddings and associated with welcomes and joyous celebrations.

The excitement of the Bhangra from Punjab never ceases. The skirts of the women spinning to the Dandiya Rass flip-flap to the clack-clack of the sticks in their hands. Qawwali singers clap their hands in time to the beat of the song. And the milk-maids look beseechingly as Krishna and Radha dance the Raas Lila.

The living arts of music and dance in India reflect the diverse cultures from which they have arisen: each is elaborate, improvised, yet formal and beautiful. 

theatrical ballet


theatrical dance in which a formal academic dance technique—the danse d'école—is combined with other artistic elements such as music, costume, and stage scenery. The academic technique itself is also known as ballet. 

Ballet developed out of the court spectacles of the Renaissance and the subsequent French ballet de cour, in which social dances performed by royalty



classical ballet

also called romantic ballet system of dance based on formalized movements and positions of the arms, feet, and body designed to enable the dancer to move with the greatest possible agility, control, speed, lightness, and grace. Classical-ballet technique is based on the turned-out position of the legs, which increases the range of movement through added mobility in the hip joint and also imparts



ballet d'action

ballet in which all the elements of production (e.g., choreography, set design, and costuming) are subordinate to the plot and theme. John Weaver, an English ballet master of the early 18th century, is considered the originator of pantomime ballet, a drama in dance form that became formalized as the classical ballet d'action later in the century. The choreographers Angiolini, 



International Ballet

British dance company. Founded in 1941 by Mona Inglesby to bring classical ballet to new urban and provincial audiences, it performed in cinemas and arenas, as well as at more conventional sites. The repertory included revivals of full-length ballets, especially Fokine's, with Nicholas Sergeyev as ballet master. It successfully toured Italy, Spain, and Switzerland. Dancers



CHHAU

The Chhau dance is indigenous to the eastern part of India. It originated as a martial art and contains vigourous movements and leaps. During the eighteenth and nineteenth centuries, many of the princely rulers of the Orissa region took a keen interest in the development of this art. They maintained troupes that performed on special occasions and festivals. 

Some Chhau dances use large stylized masks. The depiction of birds and animals is a distinctive feature. There are also heroic dances with sword, bow or shield, with which dancers demonstrate their dexterity. In keeping with the martial origins of Chhau, some of the themes include the depiction of mythological heroes, such as Parashurama, Mahadev, Indrajit and others, from the Mahabharata and Ramayana epics. Over the course of time, female characters and more diverse themes were added. 

There are three recognized schools or styles of Chhau. These are the Seraikella, Purulia and Mayurbhanj varieties. Mayurbhanj Chhau dancers do not wear masks. In recent times, Mayurbhanj Chhau has become popular as a medium of choreography, with its wide range of postures and movements that adapt well to modern as well as traditional treatment.   
  

  posted by shirishkhare @ 2:00 AM 0 comments
  Thursday, April 13, 2006    shirish posting lbt 5       
The Little Ballet Troupe-Bhopal.

Dance in India is a rhythm. Eyes, faces, hands and feet move to varying moods, reflecting an idiom of the perfection of an ancient art.

India is the home of Bharatanatyam, once performed in temples by devdasis, and of Kathak, a testimony to the court of Lucknow and the pleasure-loving nawabs. Come watch the great care taken to express love and its manifold manifestations in the gestures of a Manipuri dancer. From Odissi to Kuchipudi to ballet and numerous folk dances, the Indian dance sequence weavers an intricate rhythm that is the philosophy of dance. In temples or in courts, from backyards to the great auditoria, Indian dance reflects an magnificent heritage, individually perfected by each dancer.

The major percussion instrument is the tabla, pakhawaj or mridangam played to an intricate beat by the artist's fingers. Other major instruments are the sitar and veena, stringed instruments, the harmonium, a keyboard instrument, and the tanpura - a stringed instrument used as a drone, the shehnai and nadaswaram are wind instruments used at weddings and associated with welcomes and joyous celebrations.

The excitement of the Bhangra from Punjab never ceases. The skirts of the women spinning to the Dandiya Rass flip-flap to the clack-clack of the sticks in their hands. Qawwali singers clap their hands in time to the beat of the song. And the milk-maids look beseechingly as Krishna and Radha dance the Raas Lila.

The living arts of music and dance in India reflect the diverse cultures from which they have arisen: each is elaborate, improvised, yet formal and beautiful. 

theatrical ballet


theatrical dance in which a formal academic dance technique—the danse d'école—is combined with other artistic elements such as music, costume, and stage scenery. The academic technique itself is also known as ballet. 

Ballet developed out of the court spectacles of the Renaissance and the subsequent French ballet de cour, in which social dances performed by royalty



classical ballet

also called romantic ballet system of dance based on formalized movements and positions of the arms, feet, and body designed to enable the dancer to move with the greatest possible agility, control, speed, lightness, and grace. Classical-ballet technique is based on the turned-out position of the legs, which increases the range of movement through added mobility in the hip joint and also imparts



ballet d'action

ballet in which all the elements of production (e.g., choreography, set design, and costuming) are subordinate to the plot and theme. John Weaver, an English ballet master of the early 18th century, is considered the originator of pantomime ballet, a drama in dance form that became formalized as the classical ballet d'action later in the century. The choreographers Angiolini, 



International Ballet

British dance company. Founded in 1941 by Mona Inglesby to bring classical ballet to new urban and provincial audiences, it performed in cinemas and arenas, as well as at more conventional sites. The repertory included revivals of full-length ballets, especially Fokine's, with Nicholas Sergeyev as ballet master. It successfully toured Italy, Spain, and Switzerland. Dancers



CHHAU

The Chhau dance is indigenous to the eastern part of India. It originated as a martial art and contains vigourous movements and leaps. During the eighteenth and nineteenth centuries, many of the princely rulers of the Orissa region took a keen interest in the development of this art. They maintained troupes that performed on special occasions and festivals. 

Some Chhau dances use large stylized masks. The depiction of birds and animals is a distinctive feature. There are also heroic dances with sword, bow or shield, with which dancers demonstrate their dexterity. In keeping with the martial origins of Chhau, some of the themes include the depiction of mythological heroes, such as Parashurama, Mahadev, Indrajit and others, from the Mahabharata and Ramayana epics. Over the course of time, female characters and more diverse themes were added. 

There are three recognized schools or styles of Chhau. These are the Seraikella, Purulia and Mayurbhanj varieties. Mayurbhanj Chhau dancers do not wear masks. In recent times, Mayurbhanj Chhau has become popular as a medium of choreography, with its wide range of postures and movements that adapt well to modern as well as traditional treatment.   
  

  posted by shirishkhare @ 2:00 AM 0 comments

India is the home of Bharatanatyam, once performed in temples by devdasis, and of Kathak, a testimony to the court of Lucknow and the pleasure-loving nawabs. Come watch the great care taken to express love and its manifold manifestations in the gestures of a Manipuri dancer. From Odissi to Kuchipudi to ballet and numerous folk dances, the Indian dance sequence weavers an intricate rhythm that is the philosophy of dance. In temples or in courts, from backyards to the great auditoria, Indian dance reflects an magnificent heritage, individually perfected by each dancer.

The major percussion instrument is the tabla, pakhawaj or mridangam played to an intricate beat by the artist's fingers. Other major instruments are the sitar and veena, stringed instruments, the harmonium, a keyboard instrument, and the tanpura - a stringed instrument used as a drone, the shehnai and nadaswaram are wind instruments used at weddings and associated with welcomes and joyous celebrations.

The excitement of the Bhangra from Punjab never ceases. The skirts of the women spinning to the Dandiya Rass flip-flap to the clack-clack of the sticks in their hands. Qawwali singers clap their hands in time to the beat of the song. And the milk-maids look beseechingly as Krishna and Radha dance the Raas Lila.

The living arts of music and dance in India reflect the diverse cultures from which they have arisen: each is elaborate, improvised, yet formal and beautiful. 

theatrical ballet


theatrical dance in which a formal academic dance technique—the danse d'école—is combined with other artistic elements such as music, costume, and stage scenery. The academic technique itself is also known as ballet. 

Ballet developed out of the court spectacles of the Renaissance and the subsequent French ballet de cour, in which social dances performed by royalty



classical ballet

also called romantic ballet system of dance based on formalized movements and positions of the arms, feet, and body designed to enable the dancer to move with the greatest possible agility, control, speed, lightness, and grace. Classical-ballet technique is based on the turned-out position of the legs, which increases the range of movement through added mobility in the hip joint and also imparts



ballet d'action

ballet in which all the elements of production (e.g., choreography, set design, and costuming) are subordinate to the plot and theme. John Weaver, an English ballet master of the early 18th century, is considered the originator of pantomime ballet, a drama in dance form that became formalized as the classical ballet d'action later in the century. The choreographers Angiolini, 



International Ballet

British dance company. Founded in 1941 by Mona Inglesby to bring classical ballet to new urban and provincial audiences, it performed in cinemas and arenas, as well as at more conventional sites. The repertory included revivals of full-length ballets, especially Fokine's, with Nicholas Sergeyev as ballet master. It successfully toured Italy, Spain, and Switzerland. Dancers



CHHAU

The Chhau dance is indigenous to the eastern part of India. It originated as a martial art and contains vigourous movements and leaps. During the eighteenth and nineteenth centuries, many of the princely rulers of the Orissa region took a keen interest in the development of this art. They maintained troupes that performed on special occasions and festivals. 

Some Chhau dances use large stylized masks. The depiction of birds and animals is a distinctive feature. There are also heroic dances with sword, bow or shield, with which dancers demonstrate their dexterity. In keeping with the martial origins of Chhau, some of the themes include the depiction of mythological heroes, such as Parashurama, Mahadev, Indrajit and others, from the Mahabharata and Ramayana epics. Over the course of time, female characters and more diverse themes were added. 

There are three recognized schools or styles of Chhau. These are the Seraikella, Purulia and Mayurbhanj varieties. Mayurbhanj Chhau dancers do not wear masks. In recent times, Mayurbhanj Chhau has become popular as a medium of choreography, with its wide range of postures and movements that adapt well to modern as well as traditional treatment. 


  
  

  posted by shirishkhare @ 2:00 AM 0 comments


				
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